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Category:Interviews

SOUNDSPHEREMAG INTERVIEWS ANGELSPIT

angelspit-cof-0500Dom Smith talks to Zoog about Angelspit’s new album Cult Of Fake

Angelspit was probably one of the first interviews we ever did back in 2008 when we built this thing, so it’s cool to catch up with Zoog in 2016 to talk about the band’s new album, Cult Of Fake. Killer.

I have dug up all the old percussion sounds used on the early albums and used them everywhere on Cult Of Fake. I wanted this album to have the same skeleton, but an updated cyborg body…wow, I just said ‘cyborg’ – no-one uses that word anymore.
-Zoog Von Rock, Angelspit.

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Writing bass, lyrics and being original

Lolita from our Forum asked me this question:

http://krankhaus.net/forum/index.php?topic=11171.0

Um, basically, how do you keep your songs sounding original? Even if you listen to diverse range of music, how do you keep your songs sounding like your own?
Like, whenever I try to write a song I’ll come up with a cool bass line(because the bass is my main instrument), then stop and realize, ‘oh damn, that sounds just like that Marilyn Manson song or that Emilie Autumn song.’ And I’ll try re-arranging it, but I’m always afraid that I’ll write something great then realize too late that it sounds just like another song. Or I’ll not realize it at all and publish the song, then later get a bunch of people accusing me of copying a part of someone’s song.

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I like your old stuff better than your new stuff…

I’m on an (insert “old and established” artist here) binge. Everything from his first demos to the latest stuff – nearly 30 years of amazing music. His old stuff is raw, experimental, full of mistakes, poor production and AWESOME.

His new stuff is clinically brilliant, but lacks something. Like he’s lost that edge that comes with learning, making mistakes and not giving a f*ck.
Don’t get me wrong, i think the guy’s brilliant and he’s been a profound influence on me and millions of others.

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Modular questions for Zoog

Techmaster originally posted on Angelspit’s Forum:
http://krankhaus.net/forum/index.php?topic=5307.0

Check this thread because there’s been a lot of cool conversation since the original post.

Modular questions for Zoog

Can you share any info on extra equipment you’ve added to your rig, like why you chose it, and how well it serves its purpose, etc… I’m sure modulars are just like anything else, no one brand is good at everything, and you kind of have to find what brand is best at what…like Doepfer might have the best oscillators, but Blacet has the best LFO, Analogue Solutions has the best distortion unit, etc…

Can you share any info on extra equipment you’ve added to your rig, like why you chose it, and how well it serves its purpose

 

Anyways, after seeing/hearing what you’ve accomplished with your modular, and what other people are doing with them, I’ve decided to take the plunge. I purchased a Doepfer kit today to build my rack, it comes with the rails and power supply. Before I started ordering any modules, I figured I’d ask Obi-Wan Kenobi himself, what he recommends getting as far as the modules.

Firstly, go here and read this:
http://www.angelspit.net/modular_synth-int/

i think your attitude to this is really good – take it slow!
modulars allow you to dissect sound on a very detailed level….patience and persistence young jedi!

 

So will these recommended setups sound like these other guys, or will it sound like all hell is breaking loose?
Anyways, here’s a brief rundown:
Mini basic system (1 row of modules):
2 VCO’s, 1 ring modulator, 1 random noise, 1 VCF, 1 log VCA, 1 log mixer, 1 ADSR, 1 LFO, 1 midi interface

if money is tight, get this one. you can do A LOT with this!
be aware: i think this filter is the A-120…and it’s rather plain.
Basic system 2 (2 rows of modules):
2 VCO’s, 2 ADSR’s, 2 LFO’s, 1 ring mod, 1 audio divider, 1 VC wave processor, 1 random noise, 1 VCF1, 1 VCF2, 1 linear VCA, 1 log VCA, 1 linear mixer, 1 log mixer, 1 dual S&H, 1 trigger divider, 1 trigger sequencer, 1 dual slew limiter, 1 multiple i, 1 midi interface

this one is awesome, but there’s some stuff here that you might not use:
1 VCF1, 1 VCF2 – interesting to find out what these are. like i mentioned, the A-120 is plain…but the A-102 is AMAZING! (and it’s also cheaper)
The Trigger Divider and Trigger Sequencer are not overly useful unless you’re using analogue trigger sequencers.

You’ll notice eBay is crawling with trigger dividers, trigger sequencers and dual slew limiters…this is because people buy this package and sell the stuff they never use.

Also you’ll need more that on multiple…they’re easy and cheap to make!!

Advice:
Either way, you will want to add to your system….start with a GOOD oscillator and a GOOD filter.
Doepfer oscillators are ok…they have a habit of loosing their tuning over several octaves, but they have some awesome strengths – they’re cheap and they respond wonderfully to FM.
Important thing to remember about Doepfer power units:
They can power A LOT more than 10 moduals – there’s a “Studio Planner” Excel sheet somewhere that will let you plan your set up. It will add up the voltages to make sure you don’t blow the power….and you can power MANY (like 15-20) modulars from the one power unit…which is handy to remember, because the power units are the most expensive part of a modular.

Different oscillators and filters from different companies sound completely different. A Doepfer oscillator sound different to an Analogue Solutions oscillator.

 

I was thinking of basically piecing together the 1 row setup, then slowly add pieces to make the 2 row setup.

I think this is the best option. Keep me posted on how it grows!

Industrial Guitars

Ghost.7 from our Forum asked this question:

http://krankhaus.net/forum/index.php?topic=10839.0

so..I’ve been playing guitar for a while now, and I’m getting more and more in to industrial music.
So do you have any ideas how to get a nice aggressive industrial guitar-sound?
Like what pedals/modules can I use? What do you use?
I’ve been looking att the moogerfooger freqbox (mf-107), kinda nasty, not to cheap though :/

Thanks for this. To make an aggressive industrial guitar sound you need an aggressive industrial attitude and the tools to realise it. You need the following things to make AWESOME GUITARS happen:

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Pissing your life away…

I am increasingly frustrated by people who have great plans but lack the courage to make them happen.

Talent amounts to nothing. if you ain’t got BOLDNESS, you ain’t got anything.
I’ve met so many gifted composers who make the most amazing music…but are content with burning a few CDs for friends and uploading onto their Bandcamp, constantly working and re-working the same tracks, building up an arsenal of gear, dreaming about rock-stardom…and lacking the boldness to take the step and DO IT.

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Question about Religion

 

Recently, Kala Gombos asked me this question via email. I thought it was such a good question I’d post it here…
I’d love to hear other your thoughts on this topic.

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Riffs and Chaos

I got an email from Keegan who asked about making music. Keegan was kind enough to let me post my response here…I really hope this helps!

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Modular Advice Please!

Original post: http://krankhaus.net/forum/index.php?board=2;topic=9858.0

Zubermensch from Angelspit’s Forum asked me about STUFF…here’s my response..

Before we start, have a look at the article I wrote for THE DOSE (the most AWESOME CYberpunk eZine EVER!!)
>> READ MORE

 

> How does one get started with a modular synth rack? Do you buy it all put together like that? 
> Do you buy a frame or something and just start stacking up the inputs?

The most import ant thing: make sure you NEED a modular. You might be able to make your music just fine with SoftSynths. Although I (personally) don’t like SoftSynths, many bands who I admire (The Prodigy, NIN…the list goes on) use SoftSynths to some degree.

Good music DOES NOT need to made from good gear – just good ideas!

First: play around with the SoftSynth versions…then bust out the big cash when you’re certain you NEED a modular. There’s a heap of starter systems that cost US$1000-US$2000. Synthesizers.com, Doefper, Analogue Systems, Analogue Solutions (and many more brands) have such systems. Refer to the article I wrote for THE DOSE for more info:
>> READ MORE

…also jump on our forum – there’s a lot people there who are getting into modulars.
www.krankhaus.net/forum

 

> How do you (personally) send the sound from the computer in to the synth as seen in your blipverts?

We have an old Yamaha DSP Card connected (via Optical Cable) to our old 01V Yamaha Desk. (yes, it’s old gear, but it works fine and I HATE landfill!!)
We Bus the signals from the card to the desk, then assign them to our central patch bay…it’s very complex and old school…there’s much easier was to do it these days with new-fangled Audio Boxes that all the “cool kids” are using…these fancy-pantsy boxes have multiple outs…so you’d assign the drum sample out the “B” output, plug it into your filters and go NUTS.

Remember: Content is King! A song is rooted in a good idea…it does not need the latest/expensive gear.

Beasty Boys wrote an AMAZING album on a 4 track. Frontline Assembly did incredible things with an Atari ST1040, some samplers and a desk.

I hope this answers your questions and inspires you to MAKETH ROCK!

ZooG

Vampire Freaks Interviews Angelspit

zoog_head1-IMG_1278-2000Vampire Freaks talks to Angelspit’s Zoog Von Rock about latest projects and their unstoppable creative process.

“Computers have made the creation of art too easy. Old machinery means that you need to invent new process – which yields new art.
– Zoog Von Rock.

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